The "tablao" or dance floor for Flamenco in the old bodega. |
The history of the bodega is linked to that of
the magnificent Palacio del Campo Real in the Plaza Benavente which it adjoins.
The palace was built in 1545 on the site of an old Islamic building by Pedro de
Benavente y Cabeza de Vaca, a knight and governor of Jerez. He was a man with
great political and military power who owned profitable sugar refineries in the
Canary Islands among other enterprises. The 5,000 m2 palace, which is rectangular in
plan, is built round an arcaded patio with a central fountain and a beautiful garden
through which access is gained to the bodega.
The patio of the Palacio del Campo Real. The earthquake and tsunami of 1755 left one or two of the pillars slightly squint. |
Being well over 500 years old, the bodega is
naturally small by today’s standards, and was probably used for the storage of
Don Pedro’s personal wines; certainly no commercial history has been found. There
is an ancient buttress, which leads architectural experts to believe it could
be even older, but nobody can be sure. Inside, it has a vaulted ceiling and, even more unusually in Jerez, has an upper floor which would have been used as a granary
and which is reached by a steep stone stair. The floor is albero, the yellow
coloured sandy grit which one sees in all bodegas. Today it contains just a few
butts which are for the personal consumption of the owners and their guests,
along with a handful of ancient ones which are empty but are there for effect.
Don Manuel and Dona Carmen |
Although the palace and its bodega have been in
the family for centuries it is only since the 1980s that they have belonged outright
to Manuel Domecq Zurita, Viscount of Almocadén and long-time ambassador for
Sherry in general and Domecq in particular, and his wife Carmen Cristina López de Solé Martín who have proudly restored
it to its former magnificence at great personal cost, and without any financial
assistance. While they won an award for conservation of heritage, they lament the current state of the historic centre of Jerez, but understand that the protection
of its heritage costs money which is simply not there. The use of the palace and bodega on various
occasions as a film location, and their possible future use as a venue for
fiestas as well, will hopefully provide the funds to keep this architectural, historical,
cultural and viticultural treasure going.
This article by Jorge Miro appeared a couple of years ago in La Voz del Sur.
This article by Jorge Miro appeared a couple of years ago in La Voz del Sur.
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