Showing posts with label Paulas Sherry Blog. Show all posts
Showing posts with label Paulas Sherry Blog. Show all posts

Monday, 2 September 2019

Vino Blanco Hacienda de Doña Francisca 2018 12.5%, Viña Callejuela

Appearance
Bright, fairly pale silvery gold with golden reflections.
Nose
Fresh open country and seaside air pervades the wine with gently tangy tartaric, herbal and slightly saline aromas intermingling with the apple ones so typical of Palomino. There are even  faint floral and background earthy hint as well, making it very natural smelling and attractive.
Palate
Crisp, clean and almost crunchy apples and a lively acidity give the wine real zip, yet there is a fuller side to it too with some body and the two sides will probably merge with a little bottle age. Naturally it has the classic albariza characteristics of  dry chalky texture and a slight salinity, and overall it has real character.
Comments
This is another in the Viña Callejuela range of three single vineyard table wines, and is the only one whose grapes come from Sanlúcar itself, from the Hacienda de Doña Francisca vineyard in the pago Callejuela. The vineyard extends to 16 hectares at an altitude of 62 metres and the Guadalquivir estuary can be seen in the distance and you can feel the sea breezes which make Sanlúcar special. The wine is, lie its siblings, 100% Palomino, fermented in ex Manzanilla butts and left on lees and under flor till the following spring when it is lightly filtered and bottled at the bodega.
Price
13.50 euros, De Albariza 


Tuesday, 11 June 2019

11.6.19 Sherry for the New Poet Laureate


Simon Armitage has been appointed the new English Poet Laureate and will visit Jerez soon to choose his Sherry and sign a butt which will be kept at the Consejo Regulador´s Bodega San Ginés. In a tradition dating back to 1668 the title of Poet Laureate was awarded by the monarch for poetic excellence and for life. The reward was a butt of Sack and occasionally a pension. Since 1999 it has been a 10 year appointment with a fixed payment of 5,750 and 600 bottles of Sherry of the poet´s choice.  Armitage, a 55 year old Yorkshireman who is professor of poetry at Leeds University, takes over the role from the first ever female Laureate, Carol Ann Duffy. Once a label has been designed and the Sherry has been bottled, he plans to keep some and auction most of it to raise money for charity.





Tuesday, 27 March 2018

The Cabeceo or Blending of Sherry

For a very long time Sherry has been greatly misunderstood, and most of the blame lies in the perception of it in its export markets. Here, merchants have traditionally sold blends of different types of Sherry, rather than the unblended product of a particular solera, to match their idea of the public taste and pocket. The results tasted different from the wine in its natural state - which most people had never tasted - and led to widespread assumptions that, for example, Amontillado is medium and darker wine is sweet – indeed many often thought that all Sherry was sweet. As tastes moved towards dryer wines this misconception was an important contributory factor to Sherry’s plummeting sales.

The huge sample room at Domecq
Blending was usually, but not always, carried out by the Sherry bodegas who were asked to make up blends specified by merchants who then shipped and sold them under their own mark or brand name, (marcas blancas or BOB) and were entirely free to call the blend whatever they liked. Some bodegas in Jerez were owned by foreign wine merchants who shipped their wines, sometimes exclusively to their home market, where they bottled and labelled them as they saw fit. Some blending was done by the wine merchants themselves in their own cellars, Harveys for example. Terms like “Milk”, “Cream”, “Brown”, “Pale Cream”, “Pale” and “Golden” were British not Spanish inventions, and all were blends with more or less sweetness. Cream alone currently accounts for about 50% of Sherry consumption in Britain and about 20% of total consumption. Such blends still exist today, but in much smaller quantities and mainly in supermarkets, and are thankfully giving way to the natural solera wines which are at last taking off.

Blending at Gonzalez Byass in the 1950s (foto:charleshewitt/gettyimages)

Natural Sherry is a “vino generoso” and blended wines are known as “vinos generosos de licor” with a minimum alcohol content of 17ᴼ and a minimum sugar content of 5 g/l. In response to a petition by the Consejo Regulador to improve labelling nomenclature, the Junta de Andalucía published a directive in April 2012 which put a stop to the likes of “Medium Amontillado” which tended to contain very little Amontillado, and “Sweet Oloroso”. It stipulated that mention of the names of the traditional styles (Fino, Amontillado, Palo Cortado and Oloroso) could only be used in the labelling of blends with a minimum content of 85% and then only with qualifying expressions like “made from a base of” or “a blend of” printed in lettering of the same size as that of the name of the traditional style. Some chose then to simply use expressions like “Medium” or Medium Dry”.

Blending vats at Gonzalez Byass

Bodegas traditionally had large rooms dedicated to reference samples of shippers’ or indeed their own blends. These were used as a guide for the next batch of a particular blend along with notes from the sample book, which held details of which soleras and precise quantities, so as to avoid any difference to the previous batch. The 12½ litre jarra or jug was the tool usually used to measure out quantities of wine needed for a blend. It takes forty jarras to fill an export butt, so blends were made in divisions of forty.  A glass measuring cylinder graduated with forty marks, each representing one jarra, was used in the tasting room to create the original blend and the numbers were duly noted in the sample book. Larger scale blends were also made up in the same fashion using arrobas (@), an old liquid measure of 16.66 litres, 30 to a 500 litre shipping butt.

Arrumbadores making up blends at Sandeman 1920s

Here is an example (from Pedro Verdad’s book) of a blend in jarras for a late XIX century Brown Sherry, which might seem pretty unpalatable today, and also a little strong:

Pale Solera …………………….....23 (young Oloroso or possibly Raya)
Oloroso…….………………………4 (older Oloroso)
Vino de Color……………………...5 (Colouring wine: boiled down must with a little oloroso)
Vino Dulce………………..……….6 (probably Pedro Ximénez)
Aguardiente……………………......2 (fortifying wine spirit)
Total………………………………40 jarras

Julian Jeffs quotes the following cabeceo in arrobas of a commercial “Amontillado” blended some time ago for a well-known merchant. It contains only about 8% Amontillado.

Fino Fuerte………………………13 ½ (slightly rough full bodied Fino)
Amontillado Dolores………… ......5     (already a blend of @ 50% Amontillado)
MZA puro…………………………2     (Manzanilla)
Chiclana Fino……………………...7    (Fino from Chiclana, obviously)
Dulce…………………………...….2 ½ (Sweet, probably PX)
Total………………………………30 arrobas

The wines would be carefully drawn by taking measured amounts from all of the solera butts so as to minimise any change in them, and then, for small scale blending, filled into export butts previously rinsed with spirit. Next it was fined, first with egg whites and then with Spanish earth from Lebrija, a powdered silica clay which was whisked into the wine with a switch. Once the wine fell bright it was racked into a clean export butt, sealed and branded with the customer’s name and order reference ready for shipment. The blend would marry en route. For larger scale blending huge oak vats were used in which the component wines could marry. Some blends however, are made up at the sobretablas stage and age and marry in their own solera, for example Dry Sack and Canasta from Williams & Humbert.

In addition to a number of different solera wines of varying types, ages and quality, the blender's palette consisted of many types of wine  which were produced specifically for blending, and there follows a list of the main ones:

Vino de Color: Used to darken a blend, it is made by simmering must over a fire  for a day or more to obtain a very dark, very sweet syrup. Once cool, more must is added and fermentation takes place. The wine is then aged and is very dark and aromatic with toffee aromas.
Mistela: This is basically juice from super ripe sunned grapes to which alcohol has been added so it retains all the sugars and is intensely sweet. Normal PX and Moscatel lose some during fermentation.
Dulce Pasa: A pale sweet wine made from late picked sunned Palomino grapes where the must is added to butts containing alcohol. As little or no fermentation or ageing takes place it is quite fruity. It has replaced Dulce Apagado.
Dulce Apagado: Similar to Dulce Pasa but made from a variety of grapes, and as it usually came from outside the Jerez area it is no longer allowed.
Dulce de Almíbar: Once used for sweetening pale wines, it is made from a mix of glucose and fructose (both found in grapes) and Fino. The mix was then briefly aged. It was banned by the EU.
Pajarete: Named after the old Moorish tower of that name, this was an intensely sweet wine made, usually from PX, and not unlike a Brown Sherry where intensity of sweetness and colour was the object. It was this that attracted distillers who wished to "improve" their product.
Rectified Concentrated Must (RCM) This is a more modern, ingredient, and  is simply grape juice which has been concentrated by other means than heating, which darkens the wine and intensifies the flavour. Colour can, of course, be removed by activated charcoal filtration, but concentration can also be achieved by vacuum distillation, which involves just a little heating, or reverse osmosis which doesn't. The resultant sweet viscous liquid is blended with Fino to produce Pale Cream. It is a bit of a juggling act as obviously the RCM will dilute the Fino so it needs a bit more alcohol. The result can be a little crude, and a better alternative is to blend in young Moscatel.

Nowadays blending is much simpler and less common, due largely to the steep decline of this kind of wine and the growth of the real thing. So the moral of the story is that this wonderful wine is best in its natural state, sold for what it is rather than what people think it is.






Thursday, 6 July 2017

El Pleito del Sherry “The Sherry Case”

“Good name in man and woman, dear my Lord, is the immediate jewel of their souls: who steals my purse steals trash; ‘tis something, nothing; ‘twas mine ‘til his, and has been slave to thousands; but he that filches from me my good name robs me of that which not enriches him and makes me poor indeed.” (Shakespeare, Othello, 3, 3)

With centuries of successful trade, Sherry had built up such an international reputation that imitation was inevitable. As long ago as the XVII century cheap imitations were being manufactured from raisins, and by the XIX century it was big business. One infamous concoction known as “Hamburgh” was reputed to contain no wine at all, let alone Sherry. Far from the quality of the genuine article, but at least made from grapes, were the British Empire wines from Australia, South Africa and Cyprus principally. Taking advantage of preferential duty rates, these imitations were far cheaper and had a patriotic cachet.



At the turn of the century one Mr Mitsotakis, a Greek living in England, came up with the idea of concentrated must, grape juice with most of its water content removed, which meant cheaper shipping. On arrival the must would be reconstituted with water, fermented and somehow manipulated to resemble Sherry. Known as “British Sherry” it was a great success and paid even lower duty than Empire wines, but as Jancis Robinson rightly pointed out, it was neither Sherry, nor even British. The Sherry producers had to do something about this blatant forgery and most began to produce cheaper wines, which inevitably did little for the real wine’s image.

By the early years of the XX century sales of real Sherry had declined dramatically and in 1910 the Jerez exporters who had offices in England formed the Sherry Shippers Association to protect their interests. In 1924 the Spanish government accorded the trademark “Jerez” to its producers and soon sellers of non-Spanish “Sherry” were being prosecuted in England. However wines sold with qualifying terms such as “British”, “Australian” etc. were still permitted, meaning that “Sherry” was considered a generic term in Britain. The Denominación de Origen was introduced in 1933, giving Sherry an identity related to its place of origin, and this would lead to long overdue change.

This is a 1935 advert for the Vine Products brand Whiteways. The box on the left reads: "Whiteways British Sherry is of full alcoholic strength - a wine of true Sherry character with special tonic properties for which Sherry is famous. It has the characteristic Sherry merit of keeping perfectly in a decanter, indefinitely, without forming a crust or sediment... (What a load of old.....!)

Civil war in Spain followed by the Second World War severely restricted Sherry shipments and allowed the imitators an opportunity to grow, especially during the post-war period of greater prosperity in the 1950s qnd 1960s. As imitators grew more provocative in their advertising – the South African KWV even claimed that one should drink their product “because it is real Sherry” – the Spanish shippers were getting cross. Finally, in 1961 the touch paper was lit ... by the French.

Exasperated by all the imitations of French wines Bollinger, supported by other Champagne houses, took the Costa Brava Wine Company, a British importer of Cava, to court for passing off the wine as “Spanish Champagne”. Bollinger won the case and the High Court ruled that Champagne should be defined as the wine of the Champagne district, establishing the principle that it was not generic but a place name. The Sherry Shippers Association was inspired and in 1966 the shipper McKenzie & Co, backed by the Association, took Vine Products to court for the use of the term “British Sherry”.

The victorious Sherry Shippers: L-R standing: David Sandeman, Salvador Ruiz Berdejo (Consejo President), Jaime Oliver Asin (Arabist), Mauricio Gonzalez Gordon. L-R seated: Jose Ignacio Domecq, Ian McKenzie, Manuel Maria Gonzalez Gordon and Charles Williams

The complicated case lasted six weeks involving the top lawyers of the day and mountains of papers, labels, wine lists, price lists, posters, books etc., even a XVII century English comedy. But perhaps the most persuasive document was the famous Al Idrisi map from 1154 which clearly showed that "Seris" or Jerez was most definitely a place. Vine Products’ defence was based on generic usage of the term “British Sherry” over a very long time. Manuel María González Gordon (1886-1980), author of the classic “Sherry the Noble Wine” and, aged 80 retired president of González Byass, gave his evidence to lawyers appointed by the court at the bodega as he was too old to travel. Half way through the questioning he offered everyone a welcome glass or two of (proper) Sherry!

The Sherry Shippers won the case in 1967. In his summing up Judge Cross acknowledged that the word “Sherry” used by itself could only apply in Britain to the legitimate product of Jerez, which like Champagne, is the name of a place. However, disappointingly he allowed Vine Products’ argument that since terms like “British”, “South African” etc. had been in use for so long, they could co-exist.

A detail from Al Idrisi's map. It is drawn upside down, so Spain is at the bottom and North Africa is at the top.

The subsequent promotional campaign “Real Sherry Comes Only from Spain” met with moderate success, but it would take till the 1st January 1996, with Spain and Britain now both members of the European Union, for the qualifying terms “British” etc. to be finally banned from sale in the EU. That ban, however does not apply to domestic sales in the USA or Canada, while in Australia the name was changed to “Apera”. Sherry had at last filched back its good name.

The Consejo Regulador is to hold its July plenary meeting at the Bodegas of González Byass to commemorate the 50th anniversary of the interview with Manuel María González Gordon which took place there. One of the Sherry Shippers' surviving lawyers and representatives from Champagne will be invited to participate in the celebrations as guests of honour.




Thursday, 29 September 2016

It's Time to Get Your Sherry Week Event Organised!

It is only 6 weeks till International Sherry Week (7-13 November) but there's still time to organise and event and register it free at http://www.sherry.wine/sherryweek. It could be a tasting, food matching session, cocktails, anything as long as it is SHERRY!


Friday, 8 July 2016

8.7.16 Emperador Will Retain Most of Garvey Workforce; Mexico Mega-Tasting

The 60 Garvey employees are breathing a little easier now that the Emperador deal has been done and the bodegas will not close. The deal contemplates retaining over 40 of them, and according to Emperador the staffing level has still not been finalised but they will retain as many as possible. On Thursday the union representative at Complejo Bellavista received official notification of the Emperador deal from the administrators who will call a meeting with the workforce on Monday to give them the details of the deal.

The bottling plant at Complejo Bellavista

Final judicial approval will take up to three months because of the August holidays. Meanwhile the bodegas are running normally and are in pretty good shape if not quite what they once were. The Emperador deal will guarantee more jobs than that of the Asian Alcohol Corporation but there are inevitably still worries among the staff that some will be laid off.


International Sherry Week will take place between the 7th and 13th of November and Raul Vega is planning a record-breaking tasting in México. The idea is to win a Guinness record by having the largest number of people tasting Sherry at the same time in the same place.There will be eight wines: Finos from Jerez and El Puerto, Fino en Rama, Manzanilla, Oloroso, Cream, Amontillado VORS and Palo Cortado VORS. Photos and videos will be sent to Guinness for approval.


Saturday, 25 June 2016

Moscatel Dorado Playa Regla 17%, José Mellado Martín

Appearance
Deep amber with coppery highlights towards a golden rim, legs.
Nose
Lots of gently tangy Moscatel fruit with notes of overripeness and (fairly brief) barrel ageing. There are slight hints of tea, quince jelly and of course, raisin, yet this doesn't detract from the freshness.
Palate
Soft sweet and smooth, still with that gentle tang and a little body too. Generous and easy going it doesn't cloy and has good length leaving a lingering Moscatel flavour. Needs to be chilled.
Comments
This is the entry level Moscatel from the other private bodega in Chipiona (there is also a cooperative). Easy going pleasure.
Price
About 5 euros

Sunday, 1 May 2016

Sherris Sack and the Sack Trade


Some Background
Let’s begin with a quick look at the English situation and some history of the wine trade. Evidence of the existence of the vinífera vine dating from prehistoric times has been found in England but not of its cultivation. Wine was therefore being imported into England, probably a couple of centuries before the Romans invaded in AD 43, but they hugely increased its importation, production and consumption. The earliest mention that wine was made in England comes from Bede in AD 731, and it was generally, though not wholly, a monastic occupation.

The Normans ensured their supply of wine from France, as the 38 vineyards listed in the Domesday Book of 1086 could never have been sufficient to supply them, but more were planted, and wine was produced in reasonable quantities till the XIV century when the climate cooled quite dramatically, and it was no longer possible. In 1152 Eleanor of Acquitaine married Henry, Duke of Normandy, who became Henry II, king of England only two years later. Her dowry was Aquitaine and Gascony, and what with Henry’s Normandy, the English crown therefore owned effectively the left hand side of France. Bordeaux and Gascon wines now became the norm in England, at least till the mid XV century when the English were finally driven out of France after the Hundred Years War.

French wine was not the only wine consumed in England however. Portugal had been trading with England for some time already and various treaties had been signed. A substantial English community had grown by the mid XV century in Lisbon, Oporto, Gaia and Viana, trading in cod, wool and wine. A formal alliance between the two countries was forged after an invasion of Portugal by Castile. It was seen off by the Portuguese with the help of 500 English archers. In 1386 England and Portugal signed the Treaty of Windsor, known as the “Treaty of Perpetual Friendship”, which is still in force. By the 1530’s wine from Lisbon and the Douro (now Port) was already being shipped, but it was a cruder wine than we know today. Nevertheless, the first of many Port houses (Kopke) was established in 1638 and sales grew, providing competition to Sack.

From the 1350’s wines had been imported from the eastern Mediterranean, mainly by Venetian traders, from Italy (Vernage, a corruption of Vernaccia), Sardinia, Tyre, Cyprus and Crete, whose Malmsey (a corruption of Monomvasia, the port of exit) was prized for its sweetness and body. This trade was subsequently lost to the Ottoman Empire after the fall of Constantinople in 1453, causing northern traders to concentrate more on the western Mediterranean. Many other sweet wines were then shipped from there, from places like Sicily and Málaga but the further west the vineyards, the more convenient.

The Development of Sack
Geoffrey Chaucer (1343-1400), from a family of vintners, refers in his Canterbury Tales to the wine of Lepe which he rhymes with Chepe, presumably now Cheapside in London. Lepe (actually pronounced like the Spanish name “Pepe”) is situated in the province of Huelva, not far from the southern border with Portugal and not terribly far from Jerez, and from here considerable quantities of wine were exported to England. It was obviously strong; Chaucer says: “This wyn of Spaigne crepeth subtilly…ther ryseth such fumositee…” (what a wonderful word!) This would be a forerunner of Sack in times long before the demarcation of vineyards.


A medieval sack cup (foto: pinterest)

Meanwhile, the Jerez area had freed itself of the Moors in 1264 and the first record there of export to England was in 1485, though it is certain that exports in at least a small way were already fairly common. By the end of the XV century English merchants had established a community in Sanlúcar, the main port of departure to the new Spanish colonies in South America, and were exporting wines to England. At this time a wine known as “Rumney” was popular in England, originally from Romania (then part of Greece) but latterly produced in Jerez, it was not consumed locally but only for export, for which it was fortified. It was to be made, by law, from the Torrontés, Fergusano and Verde Agudillo grape varieties.  In the 1490’s Columbus included in his ships’ provisions plenty of Jerez wine, and Magellan also took it on his voyage to circumnavigate the globe in 1519. In fact he spent more on wine than on weapons. Ironically, he was killed in battle before he could return, though the voyage was completed by Juan Sebastian Elcano.

During the XVI and XVII centuries, the Jerez area saw the arrival of many foreign traders, mainly Portuguese, Italian and English. Spanish and foreign traders had equal rights. In 1517 the Duke of Medina Sidonia, Don Alfonso Pérez de Guzmán, in whose feudal domain Sanlúcar was situated, granted extended privileges to the English merchants, many of whom, being Protestants, were having problems with the Inquisition. He granted them land upon which they built St George’s church; he made justice more accessible; allowed them to carry arms, and increased customs efficiency – anything to boost trade. The English community got on with trade and making money and rarely interacted, but as time went by they saw the need to, as religious strife between Spain and England worsened (due to rumours of Henry VIII’s divorce of Catherine of Aragon), and in 1530, Henry granted their petition for a constitution and the Company of Andalucía was created, nicknamed the Brotherhood of St George. Henry went on to further annoy the Catholics, and so too did his daughter Queen Elizabeth I (known as “Isabel the Heretic” in Spain), especially when she put to death Mary Queen of Scots, a Catholic. So while Sack was widely drunk in England, it was dangerous for its merchants: a few were tortured and many imprisoned by the Inquisition and some returned to England. It was safer to export wine using foreign ships. Yet despite all these problems, trade managed to flourish, and in 1548, two thirds of the Jerez production of 60,000 barrels was exported - and mainly to England.


A XVII century Delft sack jug

By the 1580’s, however, trade suffered further as a result of more tangible hostilities between France, England and Spain. Wine, then as now, suffered from political whims and the Anglo-Spanish War of 1585-1604, while intermittent – and never actually declared – did much harm to commercial traffic - but much good to the privateers. These seafarers (many called them pirates), Hawkins, Drake and Raleigh, to name only three, were quite happy to raid Spanish colonies in South America, Spanish shipping or Spain itself, and sell their booty in England. Drake’s name survives in the Spanish expression to persuade children to behave: “Mira, que viene el Draque” (Watch out, Drake’s coming).

Already popular, what really made Sack take off in England was Sir Francis Drake’s raid (one of many) on the Spanish fleet in the port of Cadiz on April 19th 1587. He captured nearly 3,000 pipes of Sherris Sack intended as supplies to the Armada, an armed fleet being readied for an invasion of England, and presented some at court. Suddenly it had royal approval, and it was seen as patriotic to drink it. Sack reached the height of its popularity in the XVI and XVII centuries, thanks in part to Shakespeare, who often described its merits through the characters in his plays. Shakespeare himself is thought to have drunk mulled Sack. His contemporary playwrights and authors Ben Johnson, Edmund Spenser and Christopher Marlowe also wrote glowingly on Sack, and it is probable that excess consumption of it led to the fight in a tavern in which Marlowe was killed.

In 1588, partially as a result of the English raids, but mainly in his war against Protestantism, Felipe II sent the massive Spanish Armada (130 ships) commanded by the Duke of Medina Sidonia, to invade England, and people in the Jerez area worked night and day to supply its provisions. Fate was against the fleet, however, while life for any remaining Englishmen in Spain became even more difficult, especially after another English raid on Cadiz in 1595. They were effectively trying to make a living in enemy (at least in religious terms) territory. When Queen Elizabeth I died in 1603, and was succeeded by the son of Mary Queen of Scots, James VI (of Scotland)and I (of England), albeit a Protestant, things became a little easier. The quality of Sack had been eroded, yet in fact, by the end of the Tudor period (1485-1603), England was importing more wine from Spain than from France. In 1604 King James VI and I issued an order limiting the amount of Sack consumed at court to twelve gallons a day (nearly 55 litres) “and no more”.

The most important English ports of entry for the Sack trade were Bristol, Plymouth and London. For reasons of efficiency and economy, many of the ships were also involved with the Newfoundland cod business, as it meshed well with the equally seasonal cargoes of wine, raisins and olive oil. They would offload salt cod in England, Portugal, Spain or the Atlantic islands in the spring and summer, and then return with cargoes of wine, raisins or olive oil, produce of autumn and winter. England was not the only country involved in this trade. In the early days of the Newfoundland fishing, Spain, Portugal, France and Holland were also involved, but with Philip II of Spain’s annexation of Portugal in 1580, both countries succumbed to poor government from Madrid. The English and the French thus came to dominate the fishing, while the English and the Dutch came to dominate the Sack trade. In 1620, one of the Sack ships, the Mayflower, was diverted to take a cargo of Puritans from England to America. They were later known as the Pilgrim Fathers.

There was more trouble in 1655, when the English disembarked in the Spanish colony of Jamaica and took it over. In return, the Spanish took the ships, goods and possessions of any Englishmen found in Spanish ports. The English then raised taxes on Spanish wine, so infuriating the Málaga producers, it is said, that in 1668 they allowed the grapes to wither on the vine so that there was no Málaga wine for the English, and no sack was landed in Bristol that autumn. But things calmed down again, and in 1683 Pepys visited Jerez, where he found a flourishing Sherry business, especially in Sanlúcar, though the Church of St George was a ruinous state. It should be remembered that for reasons of shipping convenience, the Sherris Sack trade was based mainly in the coastal towns of the province of Cádiz: Sanlúcar and Puerto de Santa María. The importance of Jerez itself came a little later.

What was Sack?  
Etymologists and historians are not agreed on the origins of the word. It might originate from the English verb “to sack” or “plunder” but it most likely comes from the Spanish “sacar” = to withdraw (for sale/export) and appears at about the end of the XV century, often in the form of “Sherris Sack” (as opposed to Canary Sack etc.) but being usurped by the word “Sherry” at the start of the XVII century. Much of the wine came from Spain. It by no means came only from Jerez though; it was shipped from Alicante, Málaga, Huelva, the Balearic Islands, the Canaries, and quite probably Sitges and Valencia as well, not to mention Madeira and Lisbon. Its principal advantage over say, Bordeauxwas that it was made from riper grapes, often extra-ripe grapes, giving it a higher alcoholic strength and less acidity, and it travelled better.

Sack was thus really a generic term and often included such wines as Bastard (a corruption of the red grape variety Bastardo and sometimes the name used to describe sweet wines made by the addition of alcohol), Tent (a corruption of Tinto or the red grape variety Tintilla from Rota), Malmsey (see above) from Madeira and also grown in the Canary Islands (which provided Canary Sack and Bastard), and Muscat or Muscatel (Moscatel), mostly from Málaga; Palm Sack came from Palma de Mallorca, in the Balearic Islands. By the end of the XVI century it was occasionally fortified, probably to around 16% vol, with or without arrope (boiled-down must) guaranteeing safe arrival in overseas markets. Another method of preservation was to ship the wine before the completion of fermentation, but the resultant wine would have been dry, or drier, unfortified and probably much less appetising. It is fair to say, however, that whatever the quality or condition of the Sack, the innkeepers and wine merchants were not above ”improving” it.

Sherris Sack was usually white, usually quite young, sometimes sweet but usually dry and occasionally fortified. The fortification could be done in either of two ways:  after fermentation rendering a stronger dry-fermented wine, or the sweet juice itself was fortified, so it was unable to ferment, creating a “mistela” or fortified grape juice (like modern Málaga, Moscatel de Chipiona or PX). It probably tasted fairly oxidised from its weeks at sea and would have had a deep golden to amber colour. It probably resembled a young Oloroso of today. So it can’t have been too bad!

Pepys mentions drinking Sack by the pint in 1660. It was certainly very expensive (especially by the pint!) at around twelve times the price of ale; in 1533 it cost ten pence a gallon but by 1598 it cost fifty-six pence (or 4 shillings and eight pence), due more to scarcity than taxation. Certain medicinal properties were known: wine had a disinfectant effect on wounds, and of course the water was usually polluted, so it was safer to drink alcoholic beverages. In the 1640’s an Oxford doctor went among the victims of the plague, trying to cure them, and his only means of personal safety was copious quantities of Sack. Hopefully he gave the (his?!) victims Sack also!

This most popular wine was not always drunk on its own. Often it was mixed with mulling spices, and Pepys refers to Sack-Posset, a mix of Sack, sugar, spices, milk and beaten egg which was supposed to be healthy, and was popular in Colonial North America where it was often served at weddings. Shakespeare’s character Sir John Falstaff (who made a magnificent and unforgettable speech in praise of Sack in Henry the Fourth (IV, iii – must read!) mixed in sugar (so it can’t all have been sweet) and called it “Sir John Sack and sugar”.

Here is not the place to recount the endless praises heaped on Sack by XV-XVII century writers, but it is worth noting the positive effect they had - and still have on its success. The wine that is now called Sherry has been famous for centuries, not only for their praise, but also for that of many later writers, for its sheer quality. The XVIII century saw major development of the wine into what we know and love today, but it was no longer called Sack (except for Williams & Humbert's Dry Sack, which is more a brand than a true reflection of old sack). Now, Sherry is a more complex wine with many more styles than before, but with a long, noble and fascinating history, a wine that is slowly regaining its rightful place as one of the world’s finest.


Friday, 15 April 2016

¿Fuego? No Thanks Medium Sherry 18.5%, Sánchez Romate

Appearance
Quite deeply coloured, blacky brown with slight ruby glints to amber, legs.
Nose
Full and deep, quite intense and slightly savoury, cinder toffee, walnut in syrup, plenty PX there but showing its more savoury side rather than the fruity one, smells like Oloroso behind it too.
Palate
Sweet at first, but that subsides a little revealing a fair bit of PX fruit - and some of its texture - and lots of walnut and a gentle tang of acidity. Perhaps a little sweet for a Medium and certainly quite a full bodied and quite serious wine, if more like an old fashioned Cream. Nice long finish though.
Comments
This is one of the three wines released fairly recently under the "Unusual Sherries" range, which also offers a Pale Cream and a PX. What is unusual is the presentation; a Burgundy-style bottle is used yet it still has a Sherry-style stopper cork, and the cartoon labels are designed to attract younger drinkers. This particular one uses a scene from Breakfast at Tiffany's where someone offers Audrey Hepburn fuego (a light in Spanish)  and she replies in English "No thanks, medium Sherry." This wine is made from Amontillado from different soleras blended with a little PX, and the bodega recommends trying it chilled with some almonds or with ice and a slice of orange or as an accompaniment to patés, curry or sweet and sour dishes.  I haven't got round to trying it with all these, but it is certainly delicious with ice and a slice, and goes well with blue cheese.
Price  
8.50 euros

Tuesday, 3 March 2015

2.3.15 Aecovi in Receivership

The leading cooperative in Jerez established at the end of the 1980s with great hopes now finds itself in receivership owing over €1m, some say more like €2m. Aecovi consists of a group of cooperatives: Coop Las Angustias which is owed €200,000, Covisan €130.000 along with the Coops of Chiclana and Chipiona which are owed unspecified amounts.

Aecovi has been facing cash flow difficulties since early this year and is meeting with its creditors, mainly banks and public institutions, but so far without the desired result. It is trying not to involve the member coops in its problems, though more support from them would have been helpful. The administrators are trying to find a way to re-float Aecovi and avoid liquidation.


The cooperative has a large range of products: three ranges of Sherry: Alejandro, Santiago and Mira la Mar, Sherry vinegar, sauces and condiments. They have a modest modern office block, a laboratory, bottling plant and 17 “young and dynamic” staff. They already sell wine in Russia, Japan, Australia, the US and the UK, and were really going places, but the crisis caught up with them. Let us hope this enterprising group can be saved.

Monday, 15 December 2014

Oloroso VORS 1/14 22%, Bodegas Maestro Sierra

Appearance
Deep amber fading to yellow with a hint of green at the rim, looks really old, legs.
Nose
Full, pungent and nutty. There is a great complexity here with  slightly bitter hints of walnut but also lots of toasted almond and hazelnut and a touch of old wood with slight varnishy traces. Then there are hints of raisin giving a suspicion of roundness, but not enough to make the wine any less dry. I think it just might have been teaspooned, which is all to the good as these very old wines can be a little astringent otherwise.
Palate
Big and powerful with a noticeable tang of acidity which keeps it fresh, and a trace of sweetness confirming that it may have been teaspooned. Acidity, trace sweetness and also a hint of walnutty woody bitterness give an almost bitter-sweet effect compounded by good grip and terrific length. A superb old oloroso with real character and vivacity.
Comments
This Fantastic wine comes from a small solera of just 14 butts, through which it has taken over 50 years (according to the bodega website) or 60 years (according to Peter Liem) or 70 years (according to what I was told by bodega staff at Vinoble) to arrive. Suffice to say it is very old - and they have another (the Extra Viejo 1/7) which is even older. Sold in very limited quantities of some 400 hand filled and labelled bottles a year, this is hard to get hold of, but well worth the effort.
Price
Somewhere around £150 per bottle - there may be halves - from UK agents Indigo Wine


(Foto Migue Zayas/Maestro Sierra)

Friday, 28 November 2014

Moscatel Gloria 15%, Manuel Aragón

Appearance
Pale but quite rich lemony gold, viscous.
Nose
Azahar (orange blossom), super-ripe grape pulp, strong aromas of Moscatel de Alejandria: grapey, musky, lush and very fruity. Not over complex but a young wine and none the worse for that, fresh with vineyard aromas and a noticeable hint of alcohol. Sweet and desirable.
Palate
Light in weight but full of flavour, a little rustic, but that is what it is, sweet and nicely textured with that almost addictive Moscatel flavour which has a gentle tang and a real feel for the grape itself without secondary and tertiary flavours of fermentation and ageing. Luscious refreshing, persistent and delightful.
Comments
While not technically/legally Sherry, this is nonetheless a quality wine produced in the Sherry zone, and so I include it here because it should be DO Jerez and because it's good! To be a DO Jerez a Moscatel (which will have been bought in from Chiclana or Chipiona) must be aged (however briefly) at a bodega registered as a shipper in Jerez, El Puerto or Sanlúcar and bottled by them under their own brand name. So producers of Moscatel in the sandy coastal areas of Chipiona and Chiclana cannot sell wine they have bottled as Sherry. Their labels can only state their origin (eg Chiclana). This still needs to be sorted out.

There are two types of Moscatel: that made from super-ripe grapes or that made from sun-dried grapes. Both are fortified with next to no fermentation, and the former is sold young, like this Moscatel Gloria.The latter is usually aged in soleras and sold at a greater age. Luckily for Manuel Aragón, the bodega has a long history and good reputation, so they can manage without DO Jerez.