The word translates as “fragrant” and a good
Oloroso is certainly that. It is made only from Palomino grapes and it has been
observed that with slightly harder pressing the incidence of Oloroso is higher.
Also musts from hotter inland vineyards are more likely to produce Oloroso. In
its youth the wine either develops very little flor or is prevented from so doing
by fortification to 17-18 %/vol and allowed to age oxidatively. Its alcohol
content will lie between 17 and 22 %/vol depending on its age.
With no flor to consume it there is a naturally
high level of glycerine in the wine which makes it smooth and gives the
impression of slight sweetness, though it rarely contains even 5 grams per
litre of sugars. It is amber to mahogany in colour due to the oxidation, dry, full
bodied, smooth and structured with an open texture, and often has aromas of
walnut, dried orange peel, cinnamon and leather. Oloroso is the very pinnacle
of the oxidised style of wine.
Butts in the sobretablas containing wine likely
to be Oloroso are marked with two palos or rayas (//). Later they will be
marked φ but precise markings tend to vary from bodega to bodega. If a butt
contains exceptionally smooth Oloroso it will be marked with a ɺ or a raya with
a foot. This is known as “Pata de Gallina” or hen’s foot and is quite a rare
style of Oloroso. Butts containing less refined wine are marked /// (known simply
as raya) and used for blending after ageing. In the past they were often aged
in the sun outside to speed up the process.
As it ages the strength rises due to
transpiration and the wine develops considerable concentration and complexity, and when it is
older it can have a certain astringency, mainly from wood tannins and volatile
acidity. Luckily Oloroso has an affinity with Pedro Ximénez, and a tiny
addition of this can balance it out. Alternatively an addition of 10-15% can
produce the attractively sweetened wine formerly known as Amoroso, Oloroso
Dulce or Abocado till 2012 when the term Cream officially took over. Sweetened
Olorosos are sometimes blended before bottling and sometimes blended before
ageing, the latter being the better method, allowing much more time for the wines to integrate.
Until the mid XIX century, before Fino was
properly understood, the majority of wine produced, particularly for export,
was Oloroso. The grapes would have been sunned briefly in the almijar and foot-trodden,
and thanks to its robust constitution the wine, usually a vintage wine, could
travel well, being very suitable for the climate of northern countries. It was
probably the principal type of wine known as “Sack” so beloved of the
Elizabethans.
Despite the arrival of the solera system, some
bodegas continued to produce small quantities of vintage or añada wines. These became
more specialised over time (see post) with the majority of them being Olorosos
as generally any flor would die off soon in a sealed butt. Due to their
different ageing conditions they are not exactly the same as solera wines as
the butts are never topped up, but they are not disimilar, and quite delicious.
Oloroso also has an affinity with whisky. Until
the 1970s Sherry, much of it Oloroso in whatever form, was shipped to the UK in
500 litre “shipping butts”. These were smaller than the usual “bodega butt” of
600 litres capacity, but full to the bung. It was too expensive to ship empty
butts back to Spain, so once the Sherry was bottled, they were sold to the distillers
who gratefully used them for ageing Scotch Whisky. With its intense and
particular aromas and flavours, the Oloroso more than any other type of Sherry,
did much to enhance the final character of the whisky, whether it was aged
full-term or even just finished in a butt, and this style of whisky became very
popular. When Jerez bottling became the norm the supply of butts dried up and
distillers were forced to procure new ones and have them seasoned with Oloroso
at bodegas in Jerez, a system which works well but which is much more
expensive. At least it has brought very welcome business to a depressed Sherry
trade.
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