En Rama wines are an absolute joy. The term means that a wine has been
subjected to less “stabilisation” than usual, and thus is a closer
representation of the wine as it was in barrel in the bodega: in its most natural state. It translates as "on the branch" i.e. still raw, and tends to
be applied to Finos and Manzanillas – though not exclusively - which require
the removal of flor yeast and any tartrate crystals before bottling as they can
appear undesirable in the glass, and there is a (slight) risk of flor
growing again in bottle, as well as potential bottle variability.
Barbadillo were probably the first to launch en rama wines back in 1999, and after trying to bottle direct from the butt they encountered flor problems, so now they fine with egg white and use a gentle filtration so as remove the absolute minimum. This is the general practice now, and most producers recommend the wine be drunk within a few months to be sure it is at its best. This certainly ensures it is as close as possible to how it left the butt, but ignores the fact that Sherry, like all wines, can develop spectacularly in bottle, particularly Fino and Manzanilla. It is always best to buy two or more en rama wines so you can drink one and compare the others with another saca: If one has developed a bit in bottle, so much the better. Many Sherry aficionados keep them for quite a long time.
Many finos and Manzanillas were, until some 30
years ago sold not only older and – at least for export - often fortified to 17% (not
the current 15%) but also stabilised less intensely. The higher strength ensured there would be no risk of bottle fermentation caused by any yeast. Times have changed, however,
and to extend shelf life and accommodate the (unfathomable) fashion for lighter styles, further cleaning up of the
wines was deemed necessary. Some well-known Manzanilla
brands, for example, used to be sold as Manzanilla Pasada, but are now called
Manzanilla Fina, being not only younger but more stabilised, and less intense
than their former selves.
So what is “stabilisation”, and how is it done?
Wines are “cleaned” in two ways: fining and filtration. Fining involves the
addition of certain substances which spread out over the wine’s surface and
slowly settle at the bottom having collected any colloids on the way. The clean
wine is then separated off. These fining agents are many and harmless, and
include bentonite (a fine clay), casein (a form of milk protein), gelatin, egg
white, isinglass (derived from sturgeon swim bladders, but now synthesised) or silica. Their effect
is largely to do with the positive to negative charge and their weight versus that of the
colloids, and different agents do different jobs depending on the type of
colloids. Fining is almost as old as wine itself and it is also widely used in beer.
Filtration is a physical barrier to colloids
over a certain size: the sieve effect. It is not only quicker, but more
thorough – depending on the circumstances. Nowadays most filters are small
sheets made from cellulose which, depending on specification (say 0.45 microns), can remove yeast, bacteria and even the colour of a wine. They do have a tendency to clog, however,
and now the newer and more easily cleaned cross-flow filtration equipment is often
employed. One micron is normal for en rama. Sometimes activated charcoal is used, which again can even remove colour.
Another widely used modern technique is chill
filtration or cold stabilisation. The temperature of a large tank containing
the wine in question is dropped to around 6-7C and held there till the tartaric
acid starts to crystallise and precipitate, and the wine is then run off. This
acid is natural in grapes and is perfectly harmless, but if consumers see it in
a bottle they think it is glass. Both
filtration and fining are almost universal practice, and a positive thing - with
judicious use. The Consejo Regulador has been trying to get agreement among the bodegas for a precise definition of en rama wines, but so far without success.
However a wine is “stabilised” a certain amount
of character is inevitably removed, so over the last 15 years or so Sherry
producers have been looking at minimal stabilisation to increase flavour. A
cynic might say that they are merely giving us back the wines they took away
years ago, now re-named “en rama”. The filtered wines were a marketing success,
and so now are the en ramas. Two for the price of one! But then there are still
the age differences: the en ramas are still generally younger than the pasadas
of the past which are now sold in limited quantities at higher prices. In
fairness they were responding, like everyone else, to the market which can be
very fickle.
The en rama wines are generally bottled in the spring
and autumn when the flor is at its thickest and less likely to be damaged. It is worth remembering that many wines bottled en rama are not exactly the same as their filtered counterparts. They are often special sacas chosen to be more interesting. Many
oxidatively aged wines are also bottled with minimal filtration and in the
cooler seasons which allow natural decantation to take place in the barrel but they rarely
say so on the label: it is less important as there is no flor concerned. So look out for the en rama wines, they are full of character, extremely expressive and utterly delicious!
Bodegas or bottlers which produce en
rama wines:
Alexander Jules: All wines are en rama
Antonio Barbadillo Mateos: Manzanilla Sacrisitia AB, varies, about
2 sacas a year
Barbadillo: Manzanilla Solear, 4 sacas each
year, spring summer autumn and winter
Barón: Manzanilla Pasada Xixarito
Delgado Zuleta: Manzanilla Pasada Goya XL
Elías González Guzmán: Manzanilla de la Casa
Emilio Hidalgo: La Panesa
Equipo Navazos: all wines are en rama
Faustino González: all wines
Fernando de Castilla: Fino en rama, also Antique range (en rama but
not stated on label)
González Byass: Tio Pepe en rama and the Palmas range
Gutiérrez Colosía: Fino en Rama
Hidalgo La Gitana: La Gitana en rama
La Guita: La Guita en rama
Lustau: Tres en Rama range: 3 wines, 1 each from Sanlúcar, El
Puerto and Jerez
Maestro Sierra: All wines
Pedro Romero: Manzanilla Aurora en Rama
Sanchez Ayala: Gabriela Oro
Sánchez Romate: Fino Perdido, Amontillado Olvidado
Tradición: All wines
Urium: Fino and Manzanilla Pasada
Valdespino: Manzanilla Deliciosa en rama, usually more than one annual
saca
Vina La Callejuela: Manzanilla de anada 2012
Williams & Humbert: Fino Añada 2006 (and successive vintages)