Showing posts with label Santiago Jordi. Show all posts
Showing posts with label Santiago Jordi. Show all posts

Friday, 5 October 2018

Petit Verdot 2013 14%, Santiago Jordi

Appearance
Opaque almost to the rim, black plum/cherry red, and fading traces of purple.
Nose
Full, fairly intense, with notes of toast and wood shavings from the French oak, very ripe plum, still a little closed but there are traces of violet and blueberry and a faint saline note as well as as a light refreshing tangy bramble hint in the background.
Palate
Full, concentrated and well structured, acidity and tannin - of which there is plenty, but not at all aggressive - are very nicely judged and overall balance is excellent. There is plenty of ripe, mature red and black fruit with a slightly mellow feel and while the wine is on the hefty side, it is smooth, and leaves you very satisfied with a dry-textured fruity finish.
Comments
This is the first release of Santi Jordi's Petit Verdot. It is made from 100% Petit Verdot grapes grown on albariza soil in a single vineyard with vines aged between 9 and 13 years old located between Jerez and Arcos. Selected bunches are hand-harvested and 80% de-stemmed before a pre-fermentation cold soak. Fermentation in wooden vats at controlled temperature lasted 10 days and the wine was left to macerate on its lees for a further 6 days before racking along with 30% of the lees. It then spent 12 months ageing in  1 year old Allier oak barrels where most of the lees self decanted during winter 2014 and it received a light filtration before bottling. Petit Verdot has long been used in Bordeaux, at least as a component of blends, but fell out of favour as it often ripens too late. It is ideal for the Andalucian climate however. Production was 1016 bottles. While it now has some 4 years in bottle, it could do with perhaps another 3 to reveal its full panoply of flavours and aromas.
Price
18.35 euros, Licores Corredera


Saturday, 14 July 2018

Atuna 2017 14%, Santiago Jordi

Appearance
Bright pale lemony gold with golden highlights.
Nose
Forthcoming zippy and quite fragrant. Chardonnay can often be a little vegetal with added oak for flavour, but this wine seems not to have any oak and instead has slightly tropical fruity aromas of lemon icing, pineapple and kiwi, very appealing.
Palate
It has a lively refreshing tartaric acidity and plenty of those tropical fruit flavours which give it a slightly New World character which is slightly at odds with its Cádiz origins. Nonetheless, it is elegant and fresh and would be perfect for casual summer drinking.
Comments
Santiago Jordi Martín is a consultant oenologist and president of the Federation of Associations of Spanish Oenologists. His philosophy is to make interesting wine from small vineyards on poor low fertility soils using traditional methods and varieties with minimal intervention so that the vineyard character can shine through. This 2017 is the first release of Atuna, which is made from 100% Chardonnay, is a Vino de la Tierra de Cádiz. The label illustrates the various cuts of tuna, which the Cádiz coast is famous for, and he produced the wine with accompanying tuna very much in mind. "Bottling the power of the sea of Cádiz, the personality of its aromas and the character of its seafood" as he puts it. Only 6,500 bottles have been produced.
Price
8,95, Licores Corredera


Saturday, 30 June 2018

Cara Cepa 2017 14%, Santiago Jordi

Appearance
Very deep blacky cherry red with a youthful splash of purple at the fairly tight rim.
Nose
Vibrant, super fresh and forthcoming with lots of soft almost yeasty perfectly ripe jammy fruit. The faintest traces of wax, spice and smoke hide behind juicy plums and black cherries and there is a definite hint of carbonic maceration. 
Palate
Medium to full bodied with a faintly dry feel from well ripened and unaggressive tannins, acidity is perfect and the alcohol shows good ripeness. This structure is nicely balanced by all that lively fruit and the wine is delicious for drinking right now. It is remarkably forward for its young age but should still develop nicely over the next 2-3 years.
Comments
Santiago Jordi Martín is a consultant oenologist and president of the Federation of Associations of Spanish Oenologists. The fruit for this wine comes from a vineyard at Prado del Rey where Syrah, Petit Verdot, Tintilla and Chardonnay are grown. His philosophy is to make wine from the small vineyards on poor low fertility soils using traditional methods and varieties with minimal possible intervention. This 2017 is the first release of Cara Cepa and it is a Vino de la Tierra de Cádiz. It is made from Syrah (60%), Petit Verdot (30%) and Tintilla (10%) approximately - a really nice blend - and he makes the wine in such a way as to let the grapes and vineyard shine through. Good wine with loads of up-front fruity charm and good value. Production is 8,500 bottles.
Price 
8,95, Licores Corredera



Monday, 23 April 2018

President of the Oenologists on the “Sherry Revolution”


This interesting article by Ángel Espejo appeared in today’s Diario de Jerez

Sherry is impressing the world. The DO is once again a key reference point in Spanish wine and its evolution is being closely followed by the trade, among them the oenologists, who have just held the first edition of the VinEspaña competition as well as their general assembly in Jerez. They see in Jerez a model to follow, now that other wine regions are being shaken up by internal disputes.There are still disputes in Jerez of course – like Bag in Box or Fino from Sanlúcar – but these are minor in comparison to the scandals which are tainting other DOs like Rioja, Rueda or Cava where bodegas’ leaving the DO seems to be the order of the day.

The revolution in Jerez is being closely followed by other DOs who watch out of the corner of the eye the change of mentality and openness which has developed in the area and which, according to the president of the Spanish Federation of Associations of Oenologists (FEAE), the Jerezano Santiago Jordi, is demonstrated by the mere fact of considering the possibility of incorporating into the DO the new wines which are appearing in the area; the new Sherries which are reviving abandoned winemaking traditions (unfortified wines, pago wines, wines with only brief ageing, the revival of old grape varieties…).



Santiago, who is also vice-president of the International Union of Oenologists (UIE) as well as acting as a consultant oenologist, is not disconnected from these innovations, and is in fact immersed in a project for the forthcoming launch of two Finos de Pago, one from the Macharnudo and another from the Balbaína, which will join the red and white table wines which he makes in the area. For him, oenology is a way of understanding life, and he emphasises that the resurgence of Sherry is based on two fundamental pillars: tradition and the vineyard. The future is the past. “Basically, what is happening in Jerez is that they are reviving the old ways of making wine, the ancestral ways”. He is a firm defender of the importance of viticulture, the vineyard and the land in the current winemaking scene.

“In viticulture generally, which is totally different from that in Jerez, greater value was put on the pago and the vineyard, whereas here, with our system of criaderas and soleras and fortification, there has been more interest in getting quantity from the vineyard. In the past however, wines were made without fortification, pago wines were produced with higher strength and there were other varieties than just Palomino, and this is being revived now, but it needs skill in the vineyards and bodegas, perhaps slightly more in the vineyards because if not it will be difficult to be profitable”.



Santiago’s words show a clear vindication of the figure of the oenologist, especially the young ones who, according to him “are obliged nowadays to travel to complete their education since they know that wine production starts in the vineyard, and that has been rather neglected in Jerez, though it is at last being addressed”. Nevertheless he asks that they tread carefully and points out that “all this is still being done by a minority, and not everyone will see it as good”.

In Santiago’s view, the inclusion of the new Sherries in the agenda for debate by the commission set up by the Consejo Regulador to resolve the questions which would require a modification of the Sherry regulations is an important step, especially when compared with the problems in other DOs. “In other areas they are killing themselves. In Rioja, bodegas are abandoning the DO, in Rueda they are slashing prices and there is a tremendous battle going on; it is crazy. I believe it is virtually an obligation to open this debate because there are other ways of understanding viticulture and we have to leave the traditional behind, yet be aware that not everything they did in the past was bad, and as we are unique, exclusive, original… we should take advantage of this, while also keeping our minds open to other trends”.

Santiago believes that this change of mentality and renewed value put on the Sherry vineyards are closely related to the education of the new oenologists, but that it lacks sufficient education about viticulture. “It is not like that in my case because I am an agricultural engineer and worked in vineyards before becoming an oenologist, but right now, those who are studying the four year oenology course experience very little viticulture, although when they travel to work the harvest in other areas of Spain and abroad they see that everything in the glass started in the vineyard”.

Santiago Jordi is president of the FEAE, vice president of the UIE and one of Spain’s busiest consultant oenologists. He works with Huerta de Albalá and González Palacios as well as bodegas in Somontano, Toro, Ribeira Sacra, Chile, Brazil and even… Ireland. He also has vineyards in Jerez where he makes his own wines: Margarita y Amapolo, Atuna and Cara Cepa as well as the forthcoming Tintilla and is working on two Finos de Pago from Macharnudo and Balbaína.


Friday, 24 March 2017

Margarito y Amapolo 2014 13.5%, Santiago Jordi

Appearance
Deep, opaque blacky red with pinky purple at the rim, legs.
Nose
Quite intense and very slightly closed but with fresh, young but ripe black fruits of the forest, bramble jam and a slight balsamic note, a hint of oak and a mineral edge. It is quite complex but yet to put all its cards on the table, but it is likely to be impressive.
Palate
Full bodied and textured with good structure, the tannins are plentiful but ripe and there is plenty of fruit. All the hallmarks of a wine which needs two or more years in bottle to reach its peak. There is an attractive freshness and leanness about it, surely from the Tintilla, and it has great length, delicious now, especially with food, but ideally drunk in two or three years.
Comments
Like Santiago's other wines, this is a limited edition "vino de autor" or signature wine, different, innovative and well made despite its humble appellation of Vino de la Tierra de Cádiz, but there is currently no other appellation it could have. His vineyard extends to only 3,000 square metres and is situated some 500 metres from the famous Monastery of La Cartuja, just outside Jerez, where he planted it to 80% Petit Verdot and the rest Tintilla de Rota. He named the wine after two wild flowers which he allows to grow among the vines (Marguerite and Poppy, though why he made them masculine I don't know). Born in Jerez, he also acts as a consultant to other small bodegas and is president of the Spanish federation of oenologists. Anyway this wine is made from 50/50 Petit Verdot and Tintilla which are hand picked and de-stemmed before fermentation in wooden vats. The wine is aged in 75% French oak for 6 months. Quantities are limited; 2014 yielded just 2,763 bottles.
Price
13.50 Licores Corredera